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upcoming exhibitions

Art of the Mountain: Through the Chinese Photographer’s Lens

Organized by China Institute Gallery
Opening Spring 2016

Mountains, in Chinese legends, are the pillars that hold up the sky. The Chinese veneration of mountains goes back to ancient times, expressed in ritual activities, escape from social society, and aesthetic appreciation of their vast beauty. In this way, mountains can be seen as a backbone for Chinese cultural and artistic expression, supporting many forms and traditions across place and time. This exhibition will present the geography, history, culture, life, and art that is associated with or derived from mountains, just one of many ways that a connection to nature is expressed in Chinese culture. This exhibition will be divided into the following three sections: The Lofty Mountains: The Famous Mountains of China 高山仰止, will introduce the geography, history, legends, and cultures that are associated with famous Chinese mountains; The Pure Sound of Landscape: The Mountains and Chinese Landscape Aesthetic 山水清音, will introduce the renowned Chinese landscape painting aesthetic and how it influenced contemporary photography; and The New Landscape Photography 新山水摄影, will showcase photographers using photography and post-photographic visual affects to create their work and express their thoughts. This exhibition will present over 60 photographs by more than 20 contemporary photographers, including Wang Wusheng 汪芜生, Yu Qing 于青, Xiao Ke 肖克, Lei Zhenliang 雷振梁, Sun Jingqiang 孙晋强, Lu Hao 卢浩, Yao Lu姚璐, Taca 塔可, Yan Zhangjiang 颜长江 and Xiao Xuan’an 肖萱安 (in forming).

Art-of-the-Mountain


Disciples of Buddha and Fairy Maiden Peak, taken at Peak Lying on the Clouds June 2004, 8 A.M., Wang Wusheng


Art in a Time of Chaos: Innovative Trends in Six Dynasties China

Organized by China Institute Gallery,
Nanjing Museum, Nanjing Municipal Museum
and Shanxi Museum
Opening Fall 2016

The Six Dynasties period, from the 3rd to 6th centuries, was one of the most dynamic periods in Chinese art history, akin to the European Renaissance in the impact it had on artistic creativity. Over the past twenty years, archaeological excavations have unearthed extraordinary works of art, forever altering scholarly understanding of this chaotic, four-hundred-year period of political upheaval, geographical division and civil strife. Not only was the Six Dynasties period a pivotal link in the historical timeline between the Han and Tang dynasties, but it is increasingly recognized for having laid the foundation for Chinese artistic standards, genres, subjects, and important themes that continue to define Chinese art today. This exhibition will present the artistic innovations and achievements evidenced by recent archaeological findings in ceramics, sculpture, calligraphy and painting. Furthermore, this exhibition will distinguish between the styles of the Southern and Northern dynasties, allowing for a more nuanced picture of art and life at that time.

Art-in-a-Time-of-Chaos


Celadon vessel in a shape of beast, Western Jin dynasty (265-317)


Dreams of the Kings: A Jade Suit and Afterlife Objects from Xuzhou

Organized by China Institute Gallery and
Xuzhou Municipal Museum
Opening Spring 2017

In 201 BCE, the first emperor of the Han Dynasty knighted his younger brother as the first king of the Chu Kingdom, which was centered in Peng Cheng, today’s Xuzhou, in northern Jiangsu Province. Ruling under the emperor’s protection, and given special exemption from imperial taxes, elites in this Kingdom enjoyed a lavish and luxurious lifestyle. Twelve generations of kings lived, died, and were buried in sumptuous tombs carved into the nearby rocky hills. Over the years, many tombs were looted. In 1995, several un-looted tombs were excavated, revealing contents that testify to the Chu kings’ affluence, as well as their beliefs on immortality and the afterlife. One of the most stunning finds was an elaborate jade sarcophagi burial suit, assembled from hundreds of pieces of jade, a precious stone adored by Chinese people since the Neolithic period as an auspicious material that could ensure immortality. This exhibition will feature one such jade suit, outstanding examples of jade carvings, and other tomb contents that highlight how these powerful and wealthy kings prepared for death and envisioned their afterlives to-come.

Dreams-of-the-Kings


Jade Mask with Gold Thread, Western Han (206BC – 24AD)